6/23/2023 0 Comments Phantasmic![]() ![]() Paul Getty Museum, Digital image courtesy of the Getty's Open Content Program Edvard Munch: Aften på Karl Johan, 1890, oil on canvas, 84,5 × 121 cm, KODE, Rasmus Meyers samlinger. al., Edvard Munch: The Modern Eye, (exhibition catalogue), Tate, London, 2007 Woll, Gerd, Edvard Munch: Complete Graphic Works, Oslo: Orfeus Publishing AS, 2012.ĭavid, Jacques Louis (1748-1825): Marat assassiné, 1793. al., Pathé: Premier empire du cinéma (exhibition catalogue), Centre Georges Pompidou, Paris, 1994 Lampe, Angela and Clément Chéroux, et. New Haven: Yale University Press, 1987 Frizot, Michel, “L’âme, au fond: L’activité photographique de Munch et Stringberg,” in Lumière du monde, Lumière du ciel, Visions du Nord, (exhibition catalogue), Musee d'Art moderne de la Ville de Paris, 1998 Holt, Cecilia Tyri, Edvard Munch Fotografier, Forlaget Press, 2013 Kermabon, Jacques, et. dissertation, The University of Pennsylvania, 2010 Eggum, Arne, Munch and Photography. al., Edvard Munch: Signs of Modern Art, (exhibition catalogue), Fondation Beyeler, Basel, 2007 Chang, Alison W., Negotiating Modernity: Edvard Munch’s Late Figural Work, 1900-1925, unpublished Ph.D. Please contact an Artspace advisor for a custom quote.The curator is indebted to and has quoted from the following scholarly sources: Buchhart, Dieter, et.We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.It is now considered the industry standard for artists, museums and galleries throughout the world. 090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. ![]() Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Interviews & Features: When the Web Is Made of Thread: Artist Robin Kang on Weaving High-Tech Tapestries for the Internet EraĮvery bid submitted is treated as a maximum bid.Kang is a recipient of the 2017 NYFA Fellowship in Craft/Sculpture and has studied ancient textile techniques with Shipibo, Quechua, and Scandinavian weavers. Recent institutional shows include the Queens Museum, New York the Essl Museum, Vienna, Austria John Michael Kohler Arts Center, Sheboygan, Wisconsin and the Brooklyn Academy of Music, New York, among others. Kang has exhibited throughout the world including the United States, UK, Canada, Spain, Belgium, Austria, Indonesia, and Saudi Arabia. Utilizing a digitally operated Jacquard handloom, the contemporary version of the first binary-operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mystical symbolism, computer-related imagery, and digital mark-making. Inspired by her southwestern upbringing, Robin Kang reinterprets the tradition of weaving within a contemporary technological context.
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